essay
![title](/sites/bijou.uiowa.edu/files/styles/widescreen__1024_x_576/public/featured_images/purple-screen-test__FitMaxWzI1OTIsMTQ1OF0.jpg?h=d72c2928&itok=T3oJMhll)
Chicago Film Diary-Dispatch: A Weekend in Two Eyes
Saturday, December 7, 2019
Friday 11/22 3:39pm
Bus late. Missing Three Times. —NK
Bus pulling into Chicago. The skyline shines in the pitch-blackness and I’m reminded of the weirdly digital helicopter B-roll of Twin Peaks: The Return. Bright yellow windows wrapping around an invisible axis 500 feet in the air.
![title](/sites/bijou.uiowa.edu/files/styles/widescreen__1024_x_576/public/featured_images/1118full-the-wayward-cloud-screenshot__FitMaxWzI1OTIsMTQ1OF0.jpg?h=0e68dbfc&itok=k7U2s9DL)
The Lies of Love and Sex in Movies & Their Outrageous Antidote [THE WAYWARD CLOUD]
Monday, September 16, 2019
A neurotic couple chases crabs around an apartment to try and re-catch their dinner in a brutally honest reinvention of the romantic comedy. Quick, what movie is it? No, not Annie Hall, but Tsai Ming-liang's experimental softcore rom-com musical horror satire The Wayward Cloud (2005).
![title](/sites/bijou.uiowa.edu/files/styles/widescreen__1024_x_576/public/featured_images/TGB_SPLASH-upload-v2__FitMaxWzI1OTIsMTQ1OF0.jpg?h=542fa5d7&itok=QYqNUrn9)
Headroom: Jodie Mack and THE GRAND BIZARRE
Wednesday, March 13, 2019
Me! he says, hand on his chest. Actually, his shirt. And there, perhaps,
The question.