The Skeleton Twins serves as a great reminder to us all that even though my older sister once fed me unsalted popcorn as a joke, I was able to forgive her after ten years.

In this week's show, we'll be discussing three films that are coming soon to FilmScene in Iowa City. Our line-up includes Ghostbusters, which - in honor of its 30th Anniversary - opens at FilmScene on October 24.

The One I Love will have you questioning everything you know about your significant other in the best way possible It is nearly impossible to write anything about this movie without spoiling the twist, but alas, here we are.

A woman in a blue dress walks through a rain-soaked field. She is no longer young but not yet old. Comfortably middle-aged. The type of woman who looks like she is expecting her first grandkid. The camera glides around the woman, and she  starts to dance.

Never have I seen film that displays the heartache and passion of childhood as well as Rich Hill does.

Please don’t take it as hyperbole when I say that The Trip to Italy (2014) is a type of film we should probably have more of.

Most films, we view for entertainment. Some, we view to deepen our education. But behind certain films—a select and potent few—there lies a moral imperative so powerful as to make not watching them feel like a crime.

When I was nine, I kept a Saturday ritual: after breakfast, I’d slick my hair into a messy pompadour with water from the bathroom sink, clamber onto the roof of my clapboard tree fort, and loop the Empire Records soundtrack on my DiscMan until someone noticed me.

Casting Michael Fassbender in a role that covers his face with a huge, fake, fiberglass one seems like a huge waste of something very nice to look at.